Esthetic Lens—Creative Quarantine: Erik Deerly

      1. How are you holding up? On March 16, I returned to the states from the UK on what would turn out to be the last regularly scheduled flight home before the lockdown. While I had been tending to an exhibition opening in York, the US had begun to...

Kristen T. Woodward Reviews “Dysmorphia”

This new multi-panel wall mounted installation appears to have a totemic and substantial presence when viewed from afar, but the intricacies of the linear bands are better appreciated in the closer shot. The narrative component of Dysmorphia is less illustrative or...

Kristen T. Woodward Reviews “Databent”

These new Databent works entice the eye with their views of landscape in saturated hues, and interplay against the transparency of digital creation.  The technological evidence of manipulation is highlighted if not transparently observed through colorful pixilation...

Kristen T. Woodward Reviews “Fictional Landscapes”

The constructed digital landscape titled Expose is considerably more ephemeral, and esoteric in contrast to the former piece.  But what it lacks in astute satirical impact, it offers in dreamy splendor.  The hazy colors in the background suggest old Polaroid transfer;...