Esthetic Lens—Creative Quarantine: Erik Deerly

      1. How are you holding up? On March 16, I returned to the states from the UK on what would turn out to be the last regularly scheduled flight home before the lockdown. While I had been tending to an exhibition opening in York, the US had begun to...

Kristen T. Woodward Reviews “Dysmorphia”

This new multi-panel wall mounted installation appears to have a totemic and substantial presence when viewed from afar, but the intricacies of the linear bands are better appreciated in the closer shot. The narrative component of Dysmorphia is less illustrative or...

Kristen T. Woodward Reviews “Databent”

These new Databent works entice the eye with their views of landscape in saturated hues, and interplay against the transparency of digital creation.  The technological evidence of manipulation is highlighted if not transparently observed through colorful pixilation...

Kristen T. Woodward Reviews “Fictional Landscapes”

The constructed digital landscape titled Expose is considerably more ephemeral, and esoteric in contrast to the former piece.  But what it lacks in astute satirical impact, it offers in dreamy splendor.  The hazy colors in the background suggest old Polaroid transfer;...

Kristen T. Woodward Reviews “The American Dream Ensemble”

I find this ‘revisionist portraiture’ quite apropos in today’s consumer driven quest for the authentic, or genuine article.  The image itself is actually disarming in that there is a tragic beauty to the child in his gritty surrounds.  The softened sepia and cool grey...

Dan Alcantara Reviews Protoglitch

After 30 years of making music, Erik Deerly has chosen to go back to his roots, making electronic music that is fused with world music. The result? Pretty spooky. His songwriting process has morphed over the years from working on making pop radio-friendly tunes to...

Alex Henderson Reviews Limbic

Some musicians will opt for a minor change of direction, while others will opt for more radical change; Erik Austin Deerly is a good example of the latter. In the early 1990s, the producer/composer/multi-instrumentalist fronted a Chicago-based alternative rock/indie...

Reed Burnam Reviews Parable of the Poison Arrow

As Brian Eno once wrote in the liner notes to his eponymously titled Ambient 1: Music For Airports, “Ambient Music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.”  Of...

Matthew Forss Reviews Children Of The Ocean

The multi-instrumental talents of Erik Deerly are evidenced by the incredible attention to electronic music and nu-jazz foundations with equal bouts of new age, improvisation, and ethnic elements.  The high-brow musings of Children Of The Ocean are instrumental and...

Melissa Nastasi Reviews Biomes

Erik Deerly is a jack-of-all-trades. He’s an artist, composer, and designer, and also creates soundtracks for film, dance and video. This will be noticeable right off the bat on his newest album, Biomes, which is indeed a sonic masterpiece. The accomplished musician...